Stef’s Session
A Keeper of Ancient Knowledge: Lemuria, Atlantis and the Crystal Skulls
Introduction
In this fascinating session, Stef explores a life as a messenger and keeper of ancient knowledge during the time of Lemuria and Atlantis. She is shown the preservation of sacred information, the creation of the crystal skulls, and the role she played in protecting knowledge for future generations.
The session also explores her connection with Sirius, her soul purpose, and the journey of remembering who she truly is.
Chapter 1: The Messenger of the Desert Temple
F: I’m on sand.
F: What colour is the sand?
S: Gold sand.
F: Good. What else can you see?
S: I think they’re like Roman buildings… ancient.
F: What colour are the buildings?
S: They’re white.
F: As you look down at your feet, what can you see?
S: They’re men’s sandals.
F: What colour are the sandals?
S: Browny, dark red… rust colour.
F: What colour is your skin on your feet?
S: Like a tan… olive.
F: Very good. So now I want you to hold your hands out in front of you and just describe your hands to me.
S: Some lines… and they’re not young, but not old. Some hair… dark hair.
F: Are you wearing any jewellery?
S: No.
F: Alright. Looking down your body now, can you just see what you’re wearing?
S: A robe, like a Roman toga… gold belt around the middle, collecting the white fabric around my waist.
F: Okay, so what colour is the fabric?
S: It’s white.
F: Are you holding anything?
S: No… there’s a strap across my body. I’m carrying a satchel.
F: Then there’s nothing in your hands?
S: No.
F: Alright, so going up your body, I just want you to look at your face and your hair. If you can kind of look at yourself, just describe what you can see.
S: Dark, mid-length hair.
F: Are you wearing anything on your head?
S: Some… facial hair… a bit of a beard. It’s short… no moustache.
F: What colour are your eyes?
S: Somewhere between green and brown… bits of hazel.
F: Would you say you were a good-looking man?
S: I would say slightly above average.
F: Are you wearing anything around your neck, like a pendant or anything?
S: No.
F: And what about your wrists? As you hold your hands out, is there anything on your wrists?
S: Hmm… no, but I think I have an anklet on.
F: Can you just take a look at the anklet and describe it to me?
S: A bit of gold… and where it goes around my ankle there’s gold balls… almost looks like a gold pendant dangling off the base on the top of my foot.
F: So, how old do you feel?
S: 36.
F: And do you feel healthy?
S: Hmm… yes.
F: Alright, so you’re on the sand and you’re looking at a village or a town, or is it just a building?
S: Kind of like a tower sanctuary… a big building. It has a gold dome… it’s not a palace, but something that a palace might have.
F: So apart from the dome, what’s the rest of the building like? Has it got any shape?
S: It’s large with lots of windows… entrances… a porch with large columns on either side, and the doors are really large wood… overly large doors.
F: So what are you doing there?
S: I’m here to deliver a message.
F: So tell me what’s happening.
S: There are some scrolls in my satchel and I’ve been tasked to carry them to this place. I think it’s a religious building.
F: So they’re quite important scrolls then?
S: Yeah, they are for the Priest and Priestesses inside.
F: So just before we carry on and you go inside, can you turn around and tell me what you see behind you?
S: Desert… sand dunes.
F: So it’s really in the middle of nowhere then?
S: Hmm… yeah… not a lot of people know how to find it. It’s hidden.
F: So how did you find it?
S: Because I can see it.
F: If people other than you looked at that area?
S: If they looked at that area, they would just see sand.
F: How have you got there?
S: Walked.
F: That’s quite a long walk then, isn’t it?
S: I’m strong.
F: Let’s go in the building and tell me what happens.
S: There’s a large table with some Priests around it… something on the table and they’re looking over at me. They look concerned, and they look up and see me, and they know that I’ve brought them their scrolls. They welcome me in… ask me about my journey, and I keep it short because that doesn’t matter.
I sit down in a high-backed wooden chair and I open my satchel. I give them the scrolls… there’s three of them.
F: So they are being hospitable to you then and they’re quite happy to see you?
S: They know I was coming. They were hoping for me.
Chapter 2: The Secrets of Atlantis and Lemuria
F: Can you just take one of these Priests and describe what they are wearing and what they look like?
S: He’s bald… gold earrings.
F: When you say earrings, what are they like? Can you describe them?
S: They’re hanging, and there’s like a large stud that goes through the ear, gold, and then what hangs… they’re a bit like elongated pyramids… like a tall triangle shape.
F: And is that in both ears or just one?
S: In both. It’s a symbol of power… power that they hold.
F: What is he wearing on his body, can you see?
S: It’s very loose, like a tunic… kind of covers up the shape of his body.
F: So is it long-sleeved then?
S: Yeah.
F: You said there are Priests in there. Are there any Priestesses?
S: Yes, but they are working in a different area right now.
F: So the Priest that you’re with, is there just one or is there more than one?
S: Three or four other men.
F: So they are all concentrating on you, are they?
S: No, the others are still at the table looking over this… not sure… it might be a map.
F: Is this the scroll that you brought or is this something else?
S: No, this is what they were looking at before.
F: Oh, they were looking at that before. So have you actually got the scrolls out yet?
S: Yeah, I’ve given them to the Priest and he takes them over to the table and he starts to unravel all of them… all the way… across the table, covering all that they were looking at before.
F: Can you see what they’re about? Are you allowed to see?
S: I can see, but it’s in another language… I guess it’s a light language.
F: What makes you think that?
S: There’s symbols… there’s lots of geometric shapes and dots… squares and triangles.
F: So do you get any idea as to what it’s saying?
S: I think they’re instructions.
F: For what?
S: I think they were looking at a map of Lemuria, Atlantis… and they know something bad is happening currently, and this is instructions to save the information.
F: So where is it going to be saved? Do you know?
S: I don’t know if it’s crystal skulls or another method of storing the information so it won’t be lost.
There’s nothing they can do… the place has already been lost.
Around the table… it’s like a war planning room. They don’t want to wage war, they just want to save what they can save… it’s started to sink.
F: So are you in Atlantis at the moment then?
S: No, I’m on a mainland somewhere.
F: Right, but Atlantis is existing, is it?
S: Yeah, but it’s in the process of falling… it’s not a nice place to be right now.
F: Okay, so these Priests know that it’s going to fall, do they?
S: Yeah… but it’s all going to sink. The information will otherwise be lost, so these are instructions to put everything into something so it can be extracted later.
F: Okay, so who have you brought this information from? Who gave it to you?
S: A King.
F: Which King? What was his name?
S: Liam or Lium. L-I-U-M.
F: So he’s the one that holds the knowledge, is he? The knowledge has come from him?
S: He knows how to do this particular thing… store the knowledge.
F: I know you said to save the knowledge, but what is the knowledge?
S: The truth of who we are.
F: What is the truth of who we are?
S: It’s the power… they know that when it sinks, those left behind… they’re not ready yet.
They knew what those from Lemuria knew and they could destroy the world.
F: So the information has got to be hidden from them then? Is that what you’re saying?
S: For now.
Chapter 3: The Preservation of Knowledge and the Crystal Skulls
F: So you said to save the knowledge, but what is the knowledge?
S: The truth of who we are.
F: What is the truth of who we are?
S: It’s the power… they know that when it sinks, those left behind… they’re not ready yet.
They knew what those from Lemuria knew and they could destroy the world.
F: So the information has got to be hidden from them then? Is that what you’re saying?
S: For now.
F: So, I want you to go back to where you are with the Priests. They’re looking at this information now. What happens next?
S: They’re reading over the instructions. They already have what they’re going to place, or start to place, some of the information in.
It’s made of wood… it looks like… I think it’s going to be like a test run. It looks a bit like an hourglass but there’s no sand in it. It’s like solid wood… it’s symbolic.
F: So is the wood round or do you mean there’s glass in this construct?
S: No, it’s all wood. It’s solid, like a sculpture of an hourglass.
F: So are they placing these scrolls in there or is it being put in some other way?
S: No, they are placing the information they already have into this artefact to see how it works… like a test run.
F: So how are they putting the information in?
S: There’s an opening at the top. It almost looks like a hologram… or energy… like an upside-down pyramid without a base that collects the information that’s above it and channels it into the artefact.
F: So is the information channelled from one of these beings into there, or is it coming from the scrolls?
S: It’s from the Priests. They have some other artefacts that hold energy signatures and information that they want to back up.
They want to put them inside because the people already know about those artefacts, so they need to be transferred, but those are very special and they don’t want to use them yet.
F: So when you say the information is going in there, and you say Atlantis is turning bad, what’s actually happening in Atlantis now?
S: There’s an outside influence that’s come in. It’s not physical, but more metaphorical poison. It’s darkness that’s spreading.
The existence of everybody on Atlantis is…
F: So it’s not dark beings, it’s like a dark energy, is it?
S: It’s been put there by dark beings, but it’s corruption. It’s to sway them. They must be pure-hearted.
It’s one of the reasons why I was a messenger. I’m strong, I can go distances and have a pure enough heart to find this place.
F: Okay, so the beings that are behind this, do you know who they are or where they’ve come from?
S: They are not on the Earth yet… but they want to be.
F: So they’ve sent this energy before them then? Is that what you mean?
S: Yeah, this is the start. They know that this is the most powerful place. This is where all the most powerful people are and the most truth is held… so if this falls, then the rest will be easy.
F: So where have these beings come from?
S: It’s another dimension… somewhere in the middle, not high. It’s like maybe lower astral realms. I don’t know how they got here.
Chapter 4: The Darkness Arrives
F: So where have these beings come from?
S: It’s another dimension… somewhere in the middle, not high. It’s like maybe lower astral realms. I don’t know how they got here.
F: Do you know their name? What do we know them as on Earth?
S: They are trying to assume the name of the Arcturians, but they’re not. They’re trying to soil their name.
F: Oh right, okay. So do you know, with your knowledge, where they really are from and what they are called? If you know they’re slurring the Arcturians, do you know where they’re actually from and their name?
S: I don’t think they have a name for themselves yet. They are trying to adopt high names like the Arcturians to confuse and corrupt.
They are just adopting what they need to adopt so that they can conquer.
F: Can you actually describe one of these beings? Can you see one?
S: I think it’s still difficult for them to be physical. They’re only just coming into physical manifestation.
They have long foreheads, like the bridge of their nose seems to go high up on their foreheads. Slitted eyes… evil eyes.
F: Are they humanoid shape or something else?
S: They’re humanoid, a bit reptilian. The nose isn’t a human nose; it’s more something you’d find from one of the reptilian races.
F: What colour is their skin?
S: It’s like a dark grey-green colour. The colour that most people find the most offensive, the most sickening colour… the colour that reminds you of corrosion and death.
F: And you don’t get a very good feeling from these beings at all then?
S: No, not at all.
F: But they’ve not actually come to Earth yet? They’ve just sent this energy forward?
S: They are in the process of moving into this dimension, so they’re coming into the physical.
They’ve set their sights on Earth and they’ve located the strongest point, so they’ve pushed these energies towards Lemuria… and that’s the start.
F: So the energy is actually them in an energetic form and they’ll eventually come into the physical through that energy?
S: The energy they sent is like a poison gas to confuse and corrupt and get the people discombobulated and out of sorts.
But it’s going better than they thought it would because the island itself is sinking with the people, and they’re moving into a new energetic place.
This land… it won’t hold them anymore. It refuses to be around for anything but the pure of heart.
F: So are you saying that Lemuria is existing with Atlantis at the same time then?
S: Yeah.
F: This is where you are at the moment, so nothing has gone down at this point?
S: Nothing’s gone down, but it will.
The land itself is conscious and it won’t… there’s people there and they are holders of the highest truth. The power… and now they are being corrupted and poisoned, it won’t.
It’s like it’s rejecting them. It’s receding into the water.
F: So you said these beings have found the most powerful place. Where is that exactly on the planet?
S: The centre of Lemuria.
F: So where is the centre of Lemuria? Where is Lemuria on the actual planet?
S: Next to Atlantis, a large continent right in the Atlantic, not too far south from where you might see Greenland, I think… maybe it’s the Pacific, I’m not sure. It’s in the northern hemisphere.
Note from Stef: This is where Atlantis is supposed to be. I said maybe the Pacific as that was where Lemuria is said to be.
F: I just want to divert for a moment, and I want you to go to the place where you live. I want you to describe to me what you see before you go inside, so view it from the outside.
S: I was on the outer ring of Lemuria… that’s already started to sink, so I had to move.
I don’t think I have a home at the moment.
F: Okay, so that’s because you’re busy with your work as a messenger?
S: Mmm.
F: So do you work for the King? Are you the King’s messenger?
S: No, I was employed. I’m known for the work that I can do.
F: Because you’re pure of heart?
S: Yeah. I’m capable of protecting the information. I’m very well protected.
Chapter 5 – The Crystal Skulls and the Journey of Preservation
F: Going back to that scene with the crystal skulls, what are you seeing now?
S: The job’s been done. I took the skull to the place. It has to do with how time isn’t linear — there are already places to put these skulls. Great specific places, almost like some of them had big plinths, like they would exactly fit.
F: So the one that you took — how did you actually travel there?
S: Quietly. Mainly through boats and some was across land.
F: So it’s walking and sailing mostly?
S: Mostly. I prefer to walk. I had a good guidance system. I know where I’m going.
F: Alright, let me move you once again. We’re going to leave that scene behind you and move again to an important day in that life. Tell me what you see.
S: I have a child. It’s my first child. I finally have a family. I’m not alone anymore.
F: So what can you see?
S: Where we are, we’re still like nomads. We travel. We’re in a tent and my new wife has just given birth to a baby boy.
F: Lovely. So what’s your wife’s name?
S: Sara with a C... Cara.
F: And what about your little boy? What’s his name?
S: Jeremiah.
F: So how are you feeling now that you’ve got a little boy?
S: It’s my reward for what I’ve done, but I’m worried for him.
F: Why?
S: The world he’s coming into... he’s going to inherit... the way things might go.
F: Are you worried about the planet at the moment?
S: Everybody is.
F: What’s happening to make you worry?
S: There’s no peace. Everybody seems to live in fear. Less relaxation, less trust. People, some of them, are starting to lose faith and hope. That’s the darkest part. That’s the part that’s really upsetting.
F: Is everybody aware of it or is it just certain people?
S: I think most people are aware of it now, or maybe some in the furthest reaches haven’t got to them yet. It’s pretty prevalent now. It’s becoming a new way of life.
F: Do you know if there’s any way to overcome it?
S: I feel our fate’s been resigned to somewhere in the future, relying on the collective. I know from my work that the skulls need to be stable and confident and powerful enough to use the information, but right now they are on a downward spiral. I can’t see it happening for a very long time.