Chapter 5 – Receiving the Light Codes
After leaving Sirius, Trisha is taken beyond the physical universe to a place of light and pure energy. Here she experiences herself in her true energetic form and gains a deeper understanding of the light codes that exist within us all.
F: On Sirius?
T: Yes.
F: What colour is the robe?
T: Red.
F: Are you quite big?
T: Yes.
F: So is that originally where you got the coding from?
T: No.
F: So you got it before then, did you... or after?
T: Before.
F: I want you to go to the time when you actually got the coding and tell me what you see.
T: Light.
F: What colour is the light?
T: White... and energy swirling.
F: So is it swirling around you?
T: Yes.
F: What form are you in?
T: Energy.
F: So are you like a ball, or just swirling the same?
T: Like a see-through energy.
F: Right... translucent. So are you the swirling energy that's got the code now, or is that swirling energy actually bringing the code to you?
T: We all have the codes.
F: How is it stored in the body?
T: With light.
F: So we've all got it in our light body then?
T: Yes.
F: So what happens when you go to Earth? Do you remember that you've got that coding, or do you forget?
T: Forget.
F: Why do we have to forget?
T: So we can remember.
F: So when we remember the coding, what happens then?
T: Our mission's complete.
F: So up to this point, where you are now, how many lives have you had on Earth?
T: Seven.
F: And have they been mostly male or female?
T: Male.
F: What are you seeing now? What's happening?
T: Still seeing the light.
F: And this is where the code is coming in, is it?
T: Yes.
F: Where are you? Do you know?
T: Beyond.
F: Can you see any planets, or is it just an empty place?
T: It's just space... it's a light space.
F: Are you aware of anything else there?
T: All the energies.
F: So where you are now, have you actually had a physical life anywhere?
T: No.
F: Do you know what you're going to do when you've got this coding?
T: No.
F: Where are you going to go next?
T: I don't know.
F: OK, let's just move you on. Move you away from that scene. You've got the coding in you now, so let's see where you go. Move forward and tell me what you see.
T: Egypt.
Chapter 6 – A Life in Ancient Egypt
Trisha is shown a lifetime in Ancient Egypt where she serves within the royal palace as a young sorceress. Working closely with the gods and the Queen, she experiences love, family life and a peaceful passing, before reflecting on the purpose of that incarnation.
F: Is this your first life on the planet?
T: No.
F: So how many times have you been before?
T: Three.
F: So are you male or female?
T: Female.
F: What do you look like? Can you see yourself?
T: Black hair, robes, and a headdress.
F: What does the headdress look like?
T: Like the sun.
F: What's your name?
T: I don't know.
F: So what are you doing there? What's happening?
T: I'm around a fire.
F: When you say you're sitting around a fire, are you sitting on sand?
T: No... I'm in the palace.
F: In the palace. OK, are you royalty?
T: No.
F: What are you doing there?
T: I make spells.
F: Right, so what do they know you as?
T: Sorceress.
F: What do you make spells for?
T: The Queen.
F: Do you know what her name is?
T: No.
F: How old are you?
T: Nineteen.
F: How did you know you could do spells? When did that first happen?
T: I always knew.
F: So did your parents do that as well?
T: My mother.
F: How did you get the job there?
T: My mother died.
F: Were you forced to go there or did you want to?
T: I've always been here.
F: So you lived in the palace with her?
T: Yes... underground.
F: Do you like your life there?
T: Yes. I work with the gods.
F: Do you know that you have that coding within you?
T: Yes.
F: Do you know when that coding is going to be released in you?
T: No.
F: OK, let's move you to an important day in that life. I want you to leave that scene behind you and move forward to an important day. Go there now and tell me what you see.
T: I'm getting married.
F: What does he look like?
T: He looks like a soldier.
F: So he's got a uniform on, has he?
T: Yes.
F: What colour is the uniform?
T: Bronze.
F: Right, has he got a headdress on?
T: Yes.
F: What's that look like?
T: Bronze helmet.
F: Could you liken it to anything?
T: It looks like a bronze helmet with red feathers.
F: And the rest of the uniform?
T: It's like a bronze chest plate.
F: So what's he wearing on his bottom half? Has he got a tunic on?
T: Yes, a tunic... he's got sandals.
F: What's his name, do you know?
T: No.
F: So what kind of soldier is he?
T: He's one of the guards.
F: Is he one of the guards in the palace?
T: Yes.
F: How are you feeling marrying him?
T: Happy.
F: How old are you now?
T: Twenty-two.
F: What are you seeing now?
T: The ceremony.
F: Is the Queen there?
T: No, but she knows.
F: Are you going to live in the palace still?
T: Yes.
F: OK, let's move you away from that scene now and go to another important day in that life. Go there now and tell me what you see.
T: There's a baby.
F: Is it yours?
T: Yes.
F: Is it a boy or a girl?
T: Boy.
F: What can you see around you?
T: I'm in bed... the baby's just come.
F: How are you feeling?
T: Good... lots of help... lots of ladies helping.
F: Is your husband there?
T: Yes.
F: How is he?
T: He looks happy.
F: Let's move away from that scene then and go to the last day of your life in that lifetime. Tell me what you see.
T: I'm in the same bed.
F: How old are you now?
T: Seventy-four.
F: Do you know what your name is?
T: Sarah.
F: So what's happening? What are you seeing?
T: There's people helping... my husband has gone.
F: Where's he gone?
T: He died.
F: What happened to him?
T: He was ill.
F: So how many years have you been on your own?
T: Twenty.
F: That's quite a long time, isn't it?
T: Yes.
F: So you're lying in bed now, are you?
T: Yes.
F: What's the matter with you?
T: I've got pain.
F: Whereabouts?
T: In my stomach.
F: What's happened?
T: It's a disease... it's pain.
F: You can come out of your body so you don't actually feel that. You can just observe it. Just watch what happens and tell me what you're seeing.
T: I've just passed gently.
F: So you're on the other side now, are you?
T: Yes... just stepped out into the freedom.
F: So now you're on the other side, what was the purpose of that life?
T: Working with the gods.
F: And do you think it was a good life that you had?
T: Yes.
F: There's no regrets?
T: No.
F: What will they do with your body?
T: It goes into the tomb.
F: You have your own tomb?
T: Family...
F: Family tomb?
T: Yes.
F: So do they wrap you up?
T: Yes, with my belongings.
F: And you're quite happy with that?
T: It's nice.
F: So moving away from that, is there anybody there to greet you on the other side?
T: Yes.
F: Who is it?
T: I don't know him.
F: What does he look like?
T: It's a man with a beard... an old man.
F: Does he look like he knows you?
T: Yes.
F: Can you ask him who he is?
T: Yes... he said he's coming to show me something.
F: What's he come to show you? Let's have a look.
T: He's taking me into Victorian England, and I'm on a cobbled street..
Chapter 7 – A Victorian Midwife
After leaving her life in Ancient Egypt, Trisha is guided into Victorian England. Drawn to a modest terraced house, she finds herself helping a frightened young mother during childbirth, fulfilling a quiet but important purpose.
F: Why are you there?
T: I don't know.
F: Can you ask him?
T: He says somebody needs my help.
F: Can he take you to them?
T: He's taking me to a house... it's a terraced house... it's very sparse... there's a lady in bed.
F: Why is she in bed? What's the matter with her?
T: She's having a baby.
F: What form are you in now? Have you got a body?
T: Yes.
F: You've got a body. OK, so you've gone straight there then, have you?
T: Yes.
F: What do you look like?
T: In my fifties, maybe... I'm a midwife, I think... but not properly.
F: So why has he taken you to her?
T: She's struggling.
F: OK, just tell me what's happening.
T: She's struggling with the baby, so he wants me to help.
F: What are you going to do?
T: I've got some things in my bag. I've got herbs... bandages with herbs and potions and things that I'm getting out for her... she's quite distressed.
F: Is she happy to see you?
T: Yes... he looked very worried.
F: Do you mean the man who came to meet you?
T: Yes.
F: Is there anybody else in the room apart from you?
T: No.
F: Is that man still with you?
T: He's gone to get water... we need to make the tea... the special tea.
F: Carry on telling me what's happening.
T: She seems better now.
F: So you've given her a drink, have you?
T: Yes. She's calmer and they're talking.
F: So is she having contractions?
T: Yes... she's very frightened.
F: Is she quite young?
T: Yes.
F: Is there a husband or partner?
T: There's somebody downstairs... and another child... a boy... a young boy.
F: What's happening now?
T: There's another lady coming now... so she does the baby stuff.
F: So you just prepare, do you?
T: Yes.
F: So do you stay there and help?
T: I hold the space.
F: OK, so let's move along a little and tell me what she had. Was it male or female?
T: It's a little girl.
F: A girl. OK, so is your job done now?
T: Yes.
Chapter 8 – Messages from the Higher Self
After reviewing the lives she had experienced, I asked to speak directly with Trisha's Higher Self. The responses offered insight into her purpose, her connection to other lifetimes, and the role of the light codes in her current incarnation.
F: I know you could have shown many lives to Trisha today, but why did you choose to show her the life as 'Doctor', who was the Shaman?
HS: So she knows who she is.
F: So she knows that she can do those things. She's got the experience, hasn't she?
HS: Yes.
F: What about the life of Sarah in Egypt? Why did you want to show her that life?
HS: Wisdom... how to connect... the connection's there.
F: So how does she get that connection in this life?
HS: She needs to slow down.
F: OK, so is there anything else she should be doing apart from slowing down?
HS: Listening.
F: So the little life at the end, where she was helping the midwife, why did you choose to show her that life? Why did she go there?
HS: To help.
F: Was it to help the mother or the child?
HS: The child.
F: So what made that child important? Why did she have to help it?
HS: It's a connected child.
F: Connected to what?
HS: The planets.
F: So who was it? Would she know her as anybody she knows?
HS: No. It's just the job... the mission to be placed where required.
F: So the white marble place that she went to, where is that?
HS: It's another planet.
F: So is that where she goes to when she passes over?
HS: Yes.
F: So it's home for her then. Does she ever go there when she's asleep?
HS: If she's not working.
F: What does she generally do when she's asleep? Where does she go?
HS: Wherever the codes are needed.
F: So are the codes in her astral body then?
HS: Yes.
F: So how does it work? How does she put the code out?
HS: Transmutes dark and moves density... supports people... clarity... opens up clarity.
F: So is this people in general, in the same country as her, or anywhere?
HS: Anywhere.
F: Where was she last night?
HS: Local.
F: What was she doing?
HS: The energies are dense at the moment, so holding.
F: Does she work with anybody else in particular, or is it just her?
HS: Other light workers on the grid.
F: Do they all have the same coding?
HS: Everybody's code is slightly different.
F: So is the code anything to do with the DNA?
HS: Yes.
F: So the coding is in the DNA, is it?
HS: Yes. We're unlocking the DNA.
F: So how many strands of DNA has Trisha got now that are open?
HS: Sixty.
F: So is that actually strands, or within the strands?
HS: It's the coding within.
F: We have twelve strands, but there's a lot within those twelve strands, isn't there? So when you see it as the twelve strands, how many of the twelve are actually open and activated?
HS: Ten.
F: OK, good. Thank you.
I'd like to ask if there is anybody in any of those lives you've just shown her who is actually living in her life with her now?
HS: The little girl is part of her family lineage.
F: And did you choose to go into that family line because it's an important line?
HS: There's lots of damage in the line. Lots of code.
F: So she came in to do the healing for that line then?
HS: Clearing the damage to enable the code to be visible.
F: OK, thank you.
Chapter 9 – Health, Healing and the Shift
As the conversation continued, I asked Trisha's Higher Self about her health, energy levels and the challenges she experiences in daily life. The answers offered guidance on grounding, protecting her energy and understanding her role during this period of transformation.
F: So now I'd like to move on to the health questions. Why is she always lacking energy?
HS: It's taken a long time to separate from the third dimension, to feel safe enough to step away from it. Connections with 3D were draining, but the connection to the code now is stronger.
F: Why now?
HS: The journey that she's been on.
F: OK, we'll talk more about that later. So what's her energy going to be like from now on?
HS: Better... 5th-dimensional energy... the bandwidth is increasing... darkness is moving.
F: Is that something she's doing on her own, or is she getting help from others around her? Are there other ETs helping?
HS: Yes.
F: What are they actually doing?
HS: Moving the vibrational energy, opening up the bandwidth and the awareness. People can feel energy now. The race is becoming more aware of the complexities of life and energy.
F: She wants to know why she feels her body is out of control. She doesn't really trust it because she gains weight and then loses it regardless of what she's eating. Could you explain what's happening?
HS: It's energy... it's all energy.
F: So what happens when she feels out of control and she is gaining weight?
HS: It's about grounding. Sometimes the frequencies are really high and the codes still need to be worked with, so the physical body grounds the energy to enable her to work.
F: So the frequency and energy come into her from outside the planet. When she grounds, does that energy go into the Earth as well, so she's like a battery for the Earth?
HS: Yes... a conduit.
F: So what's the best way you recommend for her to ground?
HS: It's a challenge... it's always been a challenge... but water.
F: How does that ground?
HS: It stabilises her.
F: Should she bless the water beforehand?
HS: No. The awareness is the blessing.
F: Is there anything else she should do apart from drink water?
HS: No.
F: What about actually going out into nature?
HS: Water depends on the energy. Sometimes the energy is high, so the water is best.
F: And then that flushes through her and goes to the Earth?
HS: Yes.
F: OK, so why does she get overwhelmed? Sometimes it takes months for her to recover.
HS: It's a complicated coding system... the family.
F: What about the family?
HS: With the family, protection is also needed, which means there is a sense of separation—and that's OK. Protection around the family... around herself.
F: Do you mean protecting herself from the family, or protecting the whole family?
HS: Around herself.
F: So why does she get overwhelmed by it? Is it just too much to handle sometimes?
HS: Yes.
F: Why does it take months to recover though?
HS: Because the frequency isn't compatible when the family are in crisis. The frequencies don't match and, if she's not protected, they don't work together and she becomes depleted.
F: So the protection you're talking about... what's the best way to do that?
HS: Grounding with the water and reminding herself that she's to protect herself from the family.
F: So for protection, would you recommend that she puts a light around herself?
HS: A bubble... gold bubbles... shutting down the frequency because it becomes fractured.
F: Is there anything else you want to say to her about that?
HS: No.
F: So why does she feel a low level of depression and a distrust of life most of the time?
HS: Because she forgets what she's doing... trust!
F: But she knows now, doesn't she?
HS: Yes.
Continuing the Conversation
We then continued with the body scan and some personal questions, before asking more about reality, consciousness and Trisha's role during the Shift.
Chapter 10 – Reality, 5D and Closing Messages
In the final part of the session, Trisha's Higher Self explains her sense of not quite belonging, her connection to higher states of consciousness, and offers guidance for the path ahead. The session closes with personal messages for both Trisha and myself.
We then continued with the body scan and some personal questions before returning to discuss reality, consciousness and Trisha's role during this time of transformation.
F: Why does she feel like her life isn't real? She's felt that right from the start.
HS: Because a lot of it isn't real.
F: Can you explain more to her about that?
HS: It doesn't feel real when she forgets her connection.
F: So it's like a disconnect, is it?
HS: Yes.
F: Can you explain reality to her? Is it all an illusion?
HS: It's an altered reality state that gives her the opportunity to play out scenarios, release frequencies that are no longer necessary, remove them through genetic lines, unravel the genetic lineage, work with the grid, support the influx of the higher energies, maintain the separation between the light and the dark, and reinforce the new light energies. Co-working predominantly on the edges of the dark.
F: So where is she? Is it just a small fraction of her down here, or is she projecting from where she is? What's actually happening with her?
HS: To be in the Earth's energy at this time, the majority of your frequency has to be present to sustain and maintain this body because the frequencies are so complex.
F: So is there anywhere else that she is at the moment, even if it's just a small part of her?
HS: Language is sometimes difficult. The connection to her home planet is always there, and aspects of the frequency are there, but the intensity of this life journey requires so much to be present here now. That's where the discord and the disconnect come into play, because there's so much here, which creates a sense of disconnection from home.
F: So I wasn't sure if she was actually on the planet Sirius and just projecting down here. So she is fully here, but now she knows she's got that connection to Sirius.
HS: Yes.
F: Why did she sense the black spider under the stairs?
HS: It was the introduction of the frequency to the darkness, creating the sensitivity and awareness of dark energy. It was present within the home so she could recognise the difference between her own frequency and darker energies.
F: So it was a bit of a test for her then?
HS: Yes.
F: She vibrated a lot when she was around five years old. What was that all about?
HS: Transmuting energy.
F: Even at that age?
HS: Yes.
F: Was that linked to the spider, or was it around at the same time?
HS: It was around different individuals, in the presence of certain people or certain locations.
F: Has she done that as an adult, vibrating like that, or was it only as a child?
HS: Only as a child. The resonance, the frequency and the transmutation of energy continue. She hears it in her ears as the energies fluctuate and transmute.
We then asked further personal questions before returning to discuss the energetic changes taking place following the healing work completed during the session.
F: How will she feel now that all these things have been removed?
HS: 5D ready.
F: Why does she trigger everyone?
HS: That's part of their journey.
F: So she's like a catalyst to help them move on?
HS: Yes.
F: So how is her shift going at the moment? There's all this energy coming into the planet in pulses and we've got all these solar winds hitting us. How's her body doing?
HS: Pretty good.
F: Is she in 5D now?
HS: Most of the time.
F: How does she know when she's in 5D and when she's fluctuating?
HS: She doesn't think when she's in 5D.
F: She doesn't think?
HS: No. Over and over, the same thoughts...
F: That's 3D, yes?
HS: Yes.
F: So it's like a loop?
HS: Yes.
F: Can we stop those thoughts from happening?
HS: Yes. Again, it's trust. One foot in one world and one in the other. Just trust. Step out of the three and into the five. It's hard to leave what's familiar, but she's 85% of the way there now.
F: When she's fully there, will the world appear different?
HS: She sees it differently, yes.
F: Dolores Cannon said we'll see a New Earth and the colours will appear brighter. Will she see that?
HS: She already sees it.
F: Is there anything else you'd like to say to her about her shift?
HS: Just trust that it's OK to step out of the 3D... just trust.
F: Is there anything we've missed today that you'd like to say to her while she's in this state?
HS: Remember to go in. Not as deeply as you think... just behind the glass.
F: What about her work? She's doing hypnotherapy. Is there anything she needs to add to that?
HS: At the moment, her energy is being utilised to complete the family dynamic and bring that healing process to a conclusion.
F: Has she nearly done that?
HS: Yes.
F: In linear time, how long would you say?
HS: Four to six months.
F: So by the end of the year she should be in a completely different place?
HS: Yes.
F: As regards the hypnotherapy, she's going down the right path?
HS: On some levels it resonates with her and on others not so much, but it's early days. It will evolve into something that feels right.
F: And what about Reiki?
HS: That will become part of it. She'll find her own way by combining what she's been trained to do with her own instincts. It will become an amalgamation of different approaches that she can't yet see.
F: Why have you brought her to me today? Is there a connection between us?
HS: Yes.
F: What's the connection?
HS: Soul family... tribe. There's an energetic resonance between your frequencies. Your missions are similar.
F: Why this point in time?
HS: Because it's only ever the right time when it's the right time.
F: Any last message for her?
HS: It's only ever the right time when it's the right time.
F: Do you have a message for me today?
HS: Isn't it interesting to know that you're so near, when before you've been millions of miles away?
F: Yes... interesting.
HS: I wonder why you're so close this time.
F: Why are we so close this time?
HS: You'll find out when it's the right time.